Call Me Amour’s debut EP is more than just a strong start—it’s a statement of intent. Whether you’re a fan of pop-punk, post-hardcore, or electronic music, there’s something here for everyone.

Words by Felix Bartlett | Feb 08, 2025

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Call Me Amour’s self-titled debut EP is here and with it comes an EP packed to the brim with bangers forged through each members resilience and journey throughout their respective careers. Released on February 7, 2025, via Circular Wave Records, this five-track EP is a strong start to the band’s career, with each track seamlessly blending dark electronica, heavy riff rock, and pop-infused melodies. But what truly sets it apart is the story behind the band: a group of seasoned musicians who, after years of individual success, have come together to create something entirely new and electrifying.

‘Happy Hell’ kicks off the EP with a bone-crunching bassline and Harry Radford’s dynamic vocals, which shift effortlessly from harsh growls to soaring melodies. For those familiar with Radford’s previous project, Yashin, his impressive vocal range comes as no surprise—but it’s still great to see him back on the scene, giving new listeners a chance to dive into his infectious sound. It’s a bold introduction that showcases the band’s ability to balance raw energy with polished production. Subtle at first, the electronic elements creep in toward the end, hinting at the diverse sound that defines the record.

‘Bloom’ follows, featuring a guest appearance from Scott Kennedy of Bleed From Within. This track is a masterclass in atmosphere, blending ominous synths with crushing guitars and Kennedy’s guttural vocals, which perfectly complement Radford’s melodic delivery. It’s a standout moment that highlights the band’s collaborative spirit and their knack for creating emotionally charged, genre-fluid music.

‘Good Day’, featuring Mikey Chapman of Mallory Knox, takes a lighter, more upbeat approach, with an insistent pop-rock guitar riff and infectious hooks. Chapman’s vocals add an extra layer of warmth, making this track an undeniable earworm. Meanwhile, ‘Where’s The Chemistry’ leans into post-hardcore territory, with its melancholic undertones and Radford’s vocal agility shining through.

The EP closes with ‘Dreams’, a haunting yet anthemic track that opens with an ’80s-inspired goth-pop vibe before building into a slow-burning crescendo. It’s a fitting finale, encapsulating the band’s ability to blend contrasting elements into a cohesive and compelling sound.

What makes this EP truly special is the journey that led to its creation. Before Call Me Amour, the band members had already carved out impressive careers—playing iconic venues like Brixton Academy, performing at Download Festival, and even starring in West End productions. Yet, it was their shared passion for pushing boundaries and their admiration for each other’s talents that brought them together. This collaborative spirit is evident throughout the EP, from the guest features to the seamless blending of genres.

Produced by George Perks (known for his work with Enter Shikari), the EP’s production is a standout feature, expertly balancing the band’s electronic and rock elements. Each track feels meticulously crafted yet retains a raw, live energy that promises to translate brilliantly to the stage.

Call Me Amour’s debut EP is more than just a strong start—it’s a statement of intent. With its infectious energy and collaborative heart, it may not break new ground, but it doubles down on the formula the band has become known for. While this might disappoint some, those who love Call Me Amour’s established sound will be left feeling fulfilled—and eager to experience it live. They may have arrived late to the party, but they’re here to take over.

Verdict: 💀💀💀💀

For fans of: Yashin, The HARA, You Me At Six

Call Me Amour is released on February 7 via Circular Wave Records