If awards were given for the best show of the year, Lambrini Girls have more than earned their spot at the top.

Words & photos by Sabrina Ramdoyal (sabrinaramdoyal)| Dec 07, 2025

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Lambrini Girls’ recent sold-out performance at Manchester o2 Ritz was a fiery blend of punk rock, politics, and rebellious fun, reaffirming their position as leaders in the UK punk scene. The band—vocalist/guitarist Phoebe Lunny, bassist Selin Macieira Boşgelmez, and drummer Misha Phillips—delivered a thrilling night that served as both a rallying cry and a vivid live show, transforming a night out into collective catharsis. From the start, the energy was contagious. 

The audience, ready for chaos, became part of the spectacle as the trio launched into the fiery opening song “Bad Apple,” with lyrics like “Officer, what seems to be the problem?” setting a tone of anger, hope, and unity. What makes Lambrini Girls stand out is their ability to transform outrage into solidarity. Their setlist, drawn from their acclaimed debut “Who Let The Dogs Out,” featured raw, potent performances of tracks like “Company Culture,” a sharp critique of workplace sexism that had Manchester singing along loudly, and “God’s Country,” which addressed social issues with wit and powerful basslines. Their political stance went beyond lyrics, turning the dancefloor into a space for collective activism and support. 

Audience participation was expected from the start, with Phoebe often leaving the stage to energise fans through Manchester’s energetic battles. Even tense moments were filled with camaraderie, reflecting the inclusive spirit the band fosters. Humour was another key element, with satirical moments like “Filthy Rich Nepo Babies” and “No Homo” delivering sharp social critique wrapped in absurdity. The night peaked with the synth-driven “Cuntology 101,” an anthem of self-empowerment, and closed with the hilarious and defiant encore “Big Dick Energy,” blending punk fury with humorous takedowns of everyday sexism, ending the night with laughter and exhilaration. Beneath all the noise and spectacle is a core message: hope through community. 

Lambrini Girls’ activism goes beyond posturing— their shows offer safe spaces for marginalised voices, where rage turns into solidarity and joy. Misha Phillips’ speech supporting trans rights and the crowd’s chants for peace and liberation highlighted the band’s dedication to real change. Even amid visceral themes, they approach activism with humour and humanity, emphasising punk’s unifying power. In a genre often associated with anger, Lambrini Girls demonstrated that punk can foster connection and optimism. Their performance served as a reminder that music is both a weapon and a refuge— a way to fight and heal. If awards were given for the best show of the year, Lambrini Girls have more than earned their spot at the top.